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Sevan Paris

On October 6th, someone with a conceal permit shot an escaping shoplifter near a Home Depot in Oregon.  The police, and a large part of the community, seemed to be persecuting the woman, saying that a conceal permit was to protect you and others around you from immediate harm.  Period.

Recently, in an unrelated incident, two people with conceal permits stopped an escaping suspect by holding him an gunpoint until the police arrived.  The police applauded his efforts and said they couldn’t have appended the person–charged with passing bogus checks–without the “community’s help.”

Putting aside the topic of conceal permits–or gun control in general–I find it interesting that similar incidents are being treated very differently.  I wonder if the latter example would have applauded the community if that suspect had been shot too?  Seems like it very easily could have gone that way.

Sevan Paris

Warning–spoilers … kind of.

The trailer for this flick caught my attention sometime back for a couple of reasons: it seemed like a quiet zombie movie, and it seemed like a quiet Arnold movie.  Turns out, this was one of those rare times when the trailer did the movie justice, so … awesome.

It also had tons of heart.  And it was interesting to see the stages of becoming a zombie sort of spill out as a metaphor for being a teenager.  But the ending … oh my, how the ending was lacking.

The movie spends about half its time with Maggie and the other half with Arnold.  And we get an ending to Maggie’s story, but not for him.  Which would have been fine … if the audience wasn’t so invested in both points of view already.  It doesn’t quiet pull the rug out from under you like Inception, but it’s pretty close.  Check out Maggie if you’re in a quiet zombie mood, but be ready for the ending.

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